Danh sách 90 video bạn học gôm có

1. Introduction
  • Resolve vs. Resolve Studio
  • Working in the Project Manager
  • Setting up a Multi-User Login
  • Accessing the Database Manager
  • Understanding Database Types
  • Switching Between Databases
2. Choosing Preferences
  • Choosing a Scratch Disk
  • System Preferences
  • Video I/O and GPU Settings
  • Audio Preferences
  • Control Panels
3. The Project Manager
  • Exploring the Project Manager UI
  • Adding Projects to Folders
  • How Projects are Organized
  • Moving Projects via Copy/Paste
  • Changing the Project Manager Appearance
  • Searching for Projects
  • Copying Projects Between Databases
4. Relinking Media
  • Importing a DRP File
  • Selecting Items for Relinking
  • Relinking Project Media
  • Saving the Project
  • Renaming a Project
  • Archiving a Project
5. Setting up a Project
  • Accessing Project Settings
  • The Master Project Settings
  • Choosing a Timeline Resolution
  • Pixel Aspect Ratio
  • Timeline Frame Rate
  • Video Monitoring
  • Conform Options
  • Working with Mixed Frame Rates
  • Image Processing
  • Working with Interlaced Footage
  • Choosing Video I/O Options
  • Video Bit Depth – Performance over Quality
  • EDL & Media Composer Conform Options
  • Image Scaling
  • Output Scaling
6. Project Organization
  • Use Timelines Bin
  • Use Smart Bin for Timelines
  • Creating Sub Bins in the Timelines Bin
7. Keyboard Mapping
  • Keyboard Sets
  • Modifying a Shortcut
  • Saving a Mapping Preset
  • Auto Save Options
8. Importing from Other NLEs
  • Load XML Options
9. Touring the Resolve UI
  • Choosing a Workspace
  • Choosing a Layout
  • Resetting the Layout
  • Resizing UI Panels
  • The UI Toolbar
  • The Media Pool
  • Importing via Drag and Drop
  • The Viewer
  • Audio Meters
  • The Metadata Editor
  • Creating Custom Metadata Sets
10. Exploring the Edit Page
  • The Media Pool
  • The Source Viewer
  • The Timeline Viewer
11. Quick Tour of the Timeline
12. Quick Tour of the Color & Deliver Pages
  • Resolve’s 4 Part Workflow
13. Importing Media
  • Opening Project Zero
  • Locating Media in the Media Storage Browser
  • Viewing Folder Hierarchies
  • Previewing Clips in the Viewer
  • Revealing Duration & Timecode
  • Media Import Options
  • Importing Into Media Pool Bins
  • Drag & Drop Importing
  • Adding a Favorite
  • Drag & Drop from the Desktop
14. Cloning Media for Backups
  • Adding a Job
  • Set as Clone Source Option
15. Importing Individual Frames
16. Organizing the Media Pool
  • Creating Bins
  • Adding Clips to a Bin
  • Adding a Sub-Bin
  • Using Smart Bins
  • Color Coding Bins
  • Filter by Color Tag
  • Organizing Bin Content
  • Customizing the Metadata Column View
  • Sorting Column Metadata
  • Media Pool Searching
17. Clip Metadata
  • Viewing Clip Metadata
  • Editing Metadata
  • Approaches to Adding Metadata
  • Using Keywords
18. Editing Clip Attributes
  • Video Attributes
  • Audio Attributes
  • Timecode Attributes
  • Name Attributes
19. Syncing Audio
  • Auto Syncing by Waveform
  • Verifying Audio Sync
  • Manually Syncing Clips
  • Track Remapping
20. Working with RAW Media
21. Working with Log Encoded Media
  • Resolve Color Management
  • Input to Timeline Color Space Conversion
  • Applying a Color Space
  • Bypassing a Chosen Color Space
22. Best Light Grades for Editing
  • Using Remote Grades
  • The Benefits of Using Remote Grades
  • Copying Remote Grades
  • Sharing Remote Grades Between Timelines
23. Improving Performance
  • Optimizing Media for Playback
  • Using Smart Bins to Collate RAW Clips
  • Generating Optimized Media
  • Identifying Optimized Clips
  • Choosing the Optimized Media Format
  • When to Use a Float Format
  • Choosing a Resolution
  • Switching Between Optimized & Original Media
  • Deleting Optimized Media
  • Reducing Playback Resolution
  • Using Smart Cache
24. Clip Logging and Prep
  • Adding a Display Name
  • Using Metadata for Display Names
  • Copy & Pasting Metadata Variables
25. Marking Clips
  • Marking In and Out Points
  • Adding a Marker
  • Navigating to Markers
  • Creating a Subclip
26. Advanced Media Management
  • Copying Media
  • Moving Media
  • Transcoding Media
  • Media Managing Clips
27. Source & Timeline Viewers
  • Opening the Project
  • Resetting the Workspace
  • Changing the Viewer Mode
  • The Transport Controls
  • JKL Transport Controls
  • Looping Playback
  • Zooming the Viewer
  • Marking In and Out Points
  • Show All Video Frames
  • The Timeline Viewer
  • Switching Timelines
  • Scrubbing the Timeline
  • Transform & Crop
28. The Timeline
  • How Audio is Organized
  • The Toolbar
  • Timeline View Options
  • Zooming the Timeline
29. Working with Tracks
  • Destination Controls
  • Disabling Tracks
  • Editing Track Labels
  • Locking Tracks
  • Auto Select Controls
  • Audio Track Controls
  • The Master Track
  • Rearranging Tracks
30.The Effects Library
31. The Edit Index
32. The Inspector
33. The Audio Meters
34. The Clip and Track Mixer
35. Preparing Clips for Editing
  • Hover Scrubbing Clips
  • Working in List View
  • Viewing Clip Filmstrips
  • Marking Clips in the Filmstrip
  • Flagging a Clip
36. Creating a Timeline
  • Create Timeline Using Selected Clips
  • Creating an Empty Timeline
  • Creating a Fast Stringout Timeline
  • Creating Timelines from Bins
  • Dynamic Project Switching
37. Drag & Drop Editing
  • Clip Dragging Options
  • Using the Overwrite Clip Button
  • Drag & Drop Overwrite Edits
  • Video Only Overwrite Edits
  • Resizing the Video Track
  • Creating New Tracks via Dragging
  • Overriding Clip Linking
  • Adding Tracks via the Track Header
38. Playhead Jumping
  • Jumping the Playhead to Edit Points
  • Using Auto Select to Control Playhead Jumping
39. Editing with More Precision
  • Overwrite Edits
  • Checking Destination Targets
  • Previewing the Edit
  • Changing Pre-Roll & Post-Roll
  • Match on Action Edit
  • 3-Point Edits
  • Insert Edits
  • Overwriting to Track V2
  • Track Destination Shortcuts
  • Moving a Clip to Another Track
40. Matching Action
41. Making a Dialogue Edit
42. Replace Edits
  • Using the Timeline Viewer Overlays
43. Ripple Overwrite Edits
44. Backtimed Edits
45. Shuffle Edits
46. Other Editing Options
  • Roll Edits
  • Nudging Clips
  • Making Clip Selections
  • Blade Edits
  • Through Edits
  • Lift & Ripple Delete Edits
  • Keyboard Editing
  • How Auto Select Governs an Edit
47. Refining the Dialogue
  • Creating a Split Edit in the Source Viewer
  • Creating a Split Edit in the Timeline
  • Shortcuts for Choosing a Trim Type
  • Closing a Gap
  • Performing a Video Split Edit
48. Maintaining Sync
  • Disabling Clip Link
  • Out of Sync Warning
  • Resyncing Clips
  • Creating Linked Relationships
  • Linking Multiple Clips
49. Fit to Fill Edits
  • Applying Optical Flow
50. Working with Markers
  • Adding a Timeline Marker
  • Navigating to Markers
  • Adding a Clip Marker
  • Ripple Timeline Markers
  • Viewing Markers in the Edit Index
51. Clip Grouping Methods
  • The Take Selector
  • Compound Clips
  • Editing the Contents of a Compound Clip
  • Decomposing a Compound Clip
  • Nesting Timelines
52. Multicam Editing
  • Creating a Multicam Clip
  • Choosing Multicam Clip Properties
  • Choosing a Syncing Method
  • Creating a Timeline from a Multicam Clip
  • Viewing the Contents of a Multicam Clip
  • Setting up for a Multicam Switch or Cut
  • Controlling what Elements are Switched or Cut
  • Choosing an Audio Angle for Monitoring
  • Cutting Angles in the Source Viewer
  • Trimming an Edit Point
  • Manually Switching Angles
53. Reorganizing a Multicam Clip
  • Changing Angle Priority
  • Renaming Angles
54. Using the Trim Tool
  • How Trimming Works in Resolve
  • Rule that Governs Ripple Edits
  • How Auto Select Toggles Affect Trimming
  • Auto Select Shortcuts
  • Trim Tool Main Functions
  • Dual-Sided Ripple Trims
  • Identifying Available Media (Handles)
  • Slip Edits
  • Slide Edits
  • Roll Edits
55. Trimming in the Source Viewer
56. Keyboard Trimming
  • More Ripple Editing Rules
57. Trimming with Timecode
58. Dynamic Trimming
  • Dynamic Trimming Method 1
  • Dynamic Trimming Method 2
  • Multiple Selection Dynamic Trims
59. Trimming to the Playhead
  • Trim Start/Trim End
  • Extend Edits
60. Multi-Selection Trimming
  • Asymmetric Trimming
  • Real World Examples
61. Working with Transitions
  • Locating Transitions
  • Adding a Transition
  • Adding Video and Audio Cross Dissolves
  • Targeting Video or Audio for Transitions
  • Adding Transitions with the Keyboard
  • Adding Transitions to Multiple Edits
  • Setting a Standard Transition
62. Modifying Transitions
  • Changing Alignment
  • Swapping Transitions
  • Changing Transition Properties
  • Changing the Transition Style
  • Changing the Easing
  • Creating a Custom Transition with Curves
  • Shaping the Curve
63. Filter & Smart Cache
  • Enabling Smart Cache
  • Searching for Effects
64. Using the Smooth Cut Transitions
65. Working with Audio
  • Compatible Audio Files
  • Rolling the Audio
  • Adding a Cross Fade
  • Changing the Cross Fade Type
  • Unlinking the Audio
  • Adding Fades
  • Disabling Audio
  • Track Copy/Paste Rules
66. Using Markers for Audio Work
  • Editing Music
67. Working with Audio Channels
  • Adding an Audio Track
  • Mono vs Stereo Track Assignments
  • Displaying Individual Audio Channels
  • Changing the Track Type
  • Editing Independent Channels
  • Changing Audio Clip Attributes
  • Remapping Audio Channels
68. Setting Audio Levels
  • Using Audio Overlays
  • Copy and Paste Audio Attributes
  • Using Audio Keyframes
69. Audio Mixing
  • Audio Output Remapping
  • Assigning Track Type
  • Mute and Solo
  • Pan Control
  • Volume Reset
  • The Master Channel
  • Revealing Audio Track Overlays
  • Benefit of Using Track Overlays
  • Recording Automation
  • Touch, Latch & Write Automation
  • Set to Touch After Write
  • Making Adjustments to Automation Keyframes
  • Clip Automation
70. Audio Filters
  • Applying a Filter to a Clip
  • Removing Audio Filters
  • Revealing the Filter Interface
  • Applying a Filter to a Track
  • Working with the Master Track
71. Exporting for Audio Workstations
  • Exporting to ProTools
72. Working with Effects
  • Adding a Fade Effect
  • Adding a Letterbox Effect
  • Modifying the Effect in the Color Page
73. Transform Controls
  • Rotate, Anchor Point, Pitch & Yaw
  • Resetting the Transform
  • Keyframing an Effect
  • Opening the Keyframe Editor
  • Changing the Interpolation
  • Flip and Flop
  • Transforming in the Timeline Viewer
  • Resetting Transform Parameters
74. Compositing Controls
  • Choosing a Composite Mode
  • Changing Opacity
75. Adding Titles
  • Using Place on Top
  • Editing the Title
  • Adding a Background
  • Copy & Paste a Title
  • Animating Titles
  • Smoothing the Animation
  • Easing the Motion
  • Pasting Title Attributes
76. Speed Effects
  • Changing Clip Timing – 2 Methods
  • Change Clip Speed
  • Retiming a Clip
  • Dragging to Change Speed
  • How Audio is Handled
  • Variable Speed Effects
  • Adding a Speed Point
  • Applying Optical Flow
  • Changing the Speed of Segments
  • Speed Presets
  • Speed Ramp
77. Color Page Effects
  • Overview of the Color Page
  • Stabilizing a Shot
  • Tracking an Object for Blurring
  • Adding a Node
  • Creating a Shape (Window)
  • Creating a Custom Shape
78. Combining Takes Using Shapes
79. Keying
  • The Qualifier Palette
  • Using the 3D Keyer
  • Enabling Highlight Control
  • Viewing a High Contrast Matte
  • Removing Noise
  • Inverting the Matte
  • Removing Spill
  • Creating a Compound Clip
80. Exploring the Color Page
  • Viewing Timecode
  • The Gallery
  • Creating a Still for Shot Comparison
  • Exploring Wipe Options
  • Saving Grades in the Gallery
  • The Node Editor
  • How Nodes Work
  • The Timeline
  • The Mini Timeline
  • Adjustment Palettes
  • The Color Wheels
  • The Curves Editor
  • The Keyframe Editor
  • The Video Scopes
  • The Toolbar
  • Adding Window Burn
81. Remote vs. Local Grades
  • Creating a Grade Version
  • Switching Between Versions
  • Remote and Local Versions
  • Copy Remote Grades to Local
82. Automatic Color Adjustments
  • Using Automatic Adjustment
  • Previewing the Grade
  • Resetting a Grade
  • Using Split Screen
  • Automatic Shot Matching
83. Manual Color Adjustments
  • Gain Controls
  • Gamma Controls
  • Lift Controls
  • Contrast Controls
  • Finding a Representative Clip to Grade
  • Reducing Gain to Retrieve Detail
  • Reducing the Shadows
  • Using the Offset Control
  • Making Contrast Adjustments First
  • Resetting the Color Wheels
  • Lift, Gamma, Gain Sliders
  • Curves Control
  • Creating an S-Curve
  • Targeted Curve Adjustments
  • Benefits of Using Curves vs. Color Wheels
  • Hue vs. Sat Curve
84. Copying & Matching Grades
  • Saving a Still
  • Matching Grades
  • One Still per Scene
  • Creating a Split for Shot Comparison
  • Analyzing the Images in the Scopes
85. Making Secondary Adjustments
  • Using a Qualifier
  • Finessing the Qualifier
  • Types of Qualifiers
  • Isolating a Face
  • Tracking a Window
86. Using 3rd Party Plugins
  • Correcting Barrel Distortion
  • Using the Sizing Palette
87. Removing Unwanted Camera Movement
88. Broadcast Safe Controls
89. Preparing a Project for Output
  • Changing the Starting Timecode
  • Starting Your Program at 1:00:00:00
  • Adding Pre-Program Elements
90. Delivering Your Movie
  • Render Settings
  • Rendering a Single Clip
  • Render Timeline as Options
  • Choosing a Video Format to Render
  • Choosing a Resolution
  • Audio Export Options
  • Choosing File Options
  • Rendering Image Sequences
  • Setting Additional Outputs
  • Add to Render Queue
  • Adding More Jobs to the Render Queue
  • Updating a Job
  • Starting a Render
  • Power User Tip
  • Wrap Up
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